Patrick James Errington

Patrick James Errington is the author of two chapbooks, Glean (ignitionpress, 2018) and Field Studies (Clutag Press, 2018). His poems have won prizes in the National Poetry Competition, as well as competitions run by The London Magazine and Wigtown Book Festival, and appear in journals and anthologies such as Best New Poets, The Cincinnati Review, Boston Review, The Iowa Review, and Oxford Poetry. Additionally, he is the French translator of P.J. Harvey’s poetry collection, The Hollow of the Hand (Éditions l’Âge d’Homme, 2017), and a founding editor and current editor-in-chief of the University of St Andrews literary journal, The Scores. Born in Alberta, Canada, Patrick now lives in Edinburgh.

pjerrington.com

 

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Fri 8 March | 13:00 - 14:00 | £4.50/£3.50 | The Town Hall, Queens Gardens, Council Chamber

Poem

On Highway 2A Near Blackfalds,
Alberta, as Night Comes On

You could come here and never arrive.
These towns like memories of towns,
all flecks of colour, barn-reds and brown
sinking into the haze of greys that no one

no matter how hard they try can quite draw
a word for (as if any word could draw it
like the bodies they drew from the almost-
iced-over river dripping up the bank

to be dried, identified, packed away).
You could leave, have left, and still wake
with water in your mouth, water instead
of a name. Each town’s name peeling slowly

off sheet-metal siding or a rust-graffitied
bridge, as though picked at by the passing
vacant stares of commuters hurtling down
the 2A to the city. There can be no tense

imperfect enough for this. In every distance,
grain silos stand through the snow like steel
slivers of history that catch on the little light.
Like cracked teeth after a fight. Your tongue

will never rub them smooth. I’m not sure
you’d ever want to. But then again, I’m not
you (and you’re welcome). Maybe though
you wouldn’t mind – maybe just this once

you can let yourself off the hook, let some-
one else feel a way across your life, just once.
The girl behind the bar winces as she cuts
her palm on a nick in the old wood surface.

She smiles at you, briefly, from deep beneath
her face as she folds her bleeding hand
in a rag. Her blood is a dark hole in the ice
on a river we were all so sure we could skate on.

 

Patrick James Errington

From Glean (ignitionpress, 2018)